Imagine you watch as someone completely undeserving is handed a golden goose. All they have to do is feed it, give it some exercise, and treat it responsibly. It's not complicated; they just have to perform the labor of keeping the thing healthy, and it will provide them with wealth and success beyond anything they could imagine. Everyone is envious of this person. They have everything that so many people have ever wanted and more.
And yet, all this person does is kick the goose around. The abuse it, treat it like an accessory instead of a treasured object. Sometimes, they even grab the goose by the neck and swing it around to hit other people with it, then when people complain about being hit by the goose, the owner says that the hate they're receiving for hitting people with the goose is all the more reason to keep using the goose to hit people.
You will be hit by the goose until your thankfulness and willingness to celebrate the person hitting you with the goose improve.
That is the current state of Hollywood. Once a massive empire of storytelling and cultural influence reduced to being a platform for the ideologically obsessed and undeservedly proud.
Hollywood wouldn't be in the situation it's in if these people would just shut up, write scripts that aren't message-first, show respect to the audience's time and money, and be grateful for the opportunities they've been given. However, it seems too many people in the gilded bubble can't get that through their heads.
You've been hearing reports about actress Milly Alcock lately, and if you haven't, she's the actress who plays Supergirl in the upcoming movie of the same name. A huge opportunity... that Alcock just blew.
See, Alcock has a problem. She can't keep her mouth shut. Like Rachel Zegler and Brie Larson before her, Alcock can't stop running her mouth with your standard feminist virtue signaling, including saying that all the hate coming at her is from "Christian dads" and that she's happy to be making the "right people" angry...
Read: Supergirl Actress Milly Alcock Really Threw Kryptonite at Her Own Movie and Now It's Doomed
But now, as if to see if she couldn't make it worse, she's injecting LGBT issues into the movie as well by saying Supergirl would go both ways.
Supergirl has probably lost at least $10-$20 Million of it's potential box office because of this idiot 🤡😆😂🤣 pic.twitter.com/bcA7GIdLdQ
— Mr Grizzy (@BGrizzy1989) June 19, 2026
And that she was "honored" to play a queer icon.
Milly Alcock was asked about what it is about Kara that makes her a queer icon
— Everything_DCU (@EverythingDCU_) June 16, 2026
Via: NarrativaFeminina pic.twitter.com/wkdMO41aSI
I'm tired, boss.
The correct response would've been to just say "Well, this film is about (insert positive human trait here)" because that's exactly what superheroes do. They embody the best traits of humanity and exemplify them through their heroics. Instead, Alcock keeps making it about something that a tenured feminist professor at an over-funded university would approve of.
Now, the movie is tainted with the actress's goose-slinging.
She hates Christian dads, wants her character to be seen as slightly queer, and no matter how you try to ignore that, watching the film, you won't be able to. You'll just see a Kryptonian lesbian hating your guts.
The film is now suspected to be dead on arrival. Its box office forecast continues to sink lower and lower, and it happens every single time Alcock opens her mouth. Yet, she doesn't stop.
Here's my forecast.
James Gunn's DCU is dead. This movie will be the nail in the coffin that gets him ousted after the Paramount merger. The hard reboot to the cinematic universe was foolish to begin with. Gunn should've just picked up where Zach Snyder left off, but he didn't, and the whiplash was too much on the burgeoning connected storyline.
However, now you have to add to the fact that Alcock is tanking the movie that was supposed to do at least well enough to make it seem like Gunn had gas in the tank enough to work through the mess and come out the other end with something fun and worth paying the ticket price for.
And here's the other thing Alcock did.
America was already fatigued by the LGBT intrusion into everything. Even major corporations understood this and were backing away from plastering rainbows and men in makeup on everything. Hollywood, however, seems to have a kung-fu grip on these social issues and won't let go to save its life.
I have a feeling this will be a nail in the coffin for LGBT intrusion, too. It'll still happen, but I imagine that when it does, it'll be a mistake that gets corrected by strategic marketing and memory holing.
This is the kind of thing that has made people sick of all the queer inclusion that we've been forced to endure. Supergirl was not the time or place, yet here it is. The same uninvited guest, showing up again.
