Throughout the year, we have (dis)honored the national press with our regular feature, the antithesis of the Pulitzers, where we recognize media unprofessionalism, journalistic sloth, and generally deserved press mockery. After months of doling out nominations for fractured journalism practices, now it is time for: The Golden Remington Awards.

Our Trophy is a nod to the olden days when hard-scrabble hacks committed actual journalism, hammering out dispatches on those hefty wordsmith devices. To commemorate that past of muckraking reporting and shoe leather investigation, we acknowledge those journalists or outlets who fall short of that once respectable goal. 

This is the second portion in a three-part ceremony where we will start recognizing the less-than-greatness delivered. The nominees will be listed, with the winner declared in each. Let us now adjust our tuxedos and take the stage as we recognize some of the most galling examples in journalism in 2025. Here are the winners as we continue our celebration of The Remmys.

Distinguished Cultural Commentary

     WINNER

Theodore Schleifer, Jacob Reber - New York Times

It is bad enough to be fawning over the wealthy Leftist elites, but during the weekend of the No Kings protests, to declare that the marriage of Alex Soros and Huma Abedin as “A wedding of Liberal Royalty” is the epitome of being tone-deaf.

Distinguished Cultural Criticism

     WINNER

Hannah Holland - MSNBC

As the nation endured a media meltdown over the American Eagle ad campaign with Sydney Sweeney, MSNBC strove to go the lowest, announcing that the promotion indicated an “unbridled cultural shift towards whiteness.”

Distinguished Photo Journalism

    WINNER

Marc Wilson - The Bulwark, via Getty

The claimed conservatives at The Bulwark tried to become theistic scolds in a slanted immigration piece about a detainee named Jesus. They try to position this as if Christ had been the one arrested, complete with an image of the Son of God on the cross and bearing handcuffs.

Distinguished Political Cartoons

Barry Blitt - The New Yorker: The magazine was convinced Kamala Harris would win the election, so much so that it commissioned an artwork to use for its November cover. They displayed the piece in January. After her loss, they needed to make a new cover on the quick, one that carried all of the importance of being an afterthought. 

     WINNER

Pat Bagley - Salt Lake Tribune

The media have been complaining about political violence for much of the year. Complaining about political cartoon violence? Not so much.

Distinguished Sports Reporting

     WINNER

Molly Longman - Wired Magazine

In this investigative piece, Ms. Longman explores the betting world and how some influencers with online sportsbooks are tracking the menstrual cycles of WNBA players to adjust their prop bets.

Distinguished Editorial Writing

     WINNER

Tim Cunningham - Washington Post

Tim is an outraged clown. He is very upset anytime somebody refers to the president of the United States as a “clown,” because this improperly impugns the sterling character of those who craft animals out of balloons. Tim informs us about the vaunted history of his craft and how there are even benevolent jesters in a group called Clowns Without Borders.

Distinguished Feature Writing

You and I do not give a crap about the Kardashians, but the Kardashians sure do - at least Kourtney does. She has a new line of laxatives, and Barret has sampled them and gives a rave review. Frankly, we were likewise moved, but due mostly to the image provided of Kourtney deposited on a commode.